International Day for Remembrance of the Slave Trade and Its Abolition

The International Day for the Remembrance of the Slave Trade and its Abolition was first observed in Haiti in 1998. UNESCO designated August 23 because it marks the beginning of the 1791 slave rebellion in Santo Domingo (today Haiti and the Dominican Republic) led by Toussaint L’Ouverture.

This year’s observance coincides with the 400th anniversary of the landing of the first enslaved Africans in Point Comfort, Virginia. This 3D model of a slave ship shows the conditions under which the ancestors were transported across the Atlantic Ocean.

UNESCO Director General Audrey Azoulay said:

The Slave Route Project, launched by UNESCO in 1994, has made it possible to identify the ethical, cultural and socio-political issues of this painful history. By developing a multidisciplinary approach, which links historical, memorial, creative, educational and heritage dimensions, this project has contributed to enriching our knowledge of the slave trade and spreading a culture of peace. On this International Day, UNESCO invites everyone, including public authorities, civil society, historians, researchers and ordinary citizens, to mobilize in order to raise awareness about this history that we share and to oppose all forms of modern slavery.

Jazz bassist and composer Marcus Miller, a two-time Grammy-winner, is UNESCO Artist for Peace. I used to live in Dakar, Senegal. I spent many afternoons on Gorée Island at the Maison des Esclaves (House of Slaves) staring out the “Door of No Return.”

Miller’s composition “Gorée” captures my feelings of anger, remembrance and determination to never forget.

For the month of October, an 80-foot-long, 18th century “ghost ship” will be on display on the Delaware River in Philadelphia.

For info about the holographic installation, visit the Delaware River Waterfront Arts Program.

Advertisements

#1619Project: 400 Years of African American History

Four hundred years ago, a ship carrying the first enslaved Africans arrived in Jamestown, Virginia.

On August 13, 2019, The New York Times Magazine will launch “The 1619 Project.”

The entire issue of the magazine will be devoted to an examination of “the many ways the legacy of slavery continues to shape and define life in the United States.” The launch event is sold out. You can watch the free live stream here on Tuesday, August 13, at 7 p.m. E.T.

Suffer the Children

On or about August 25, 1619, the first enslaved Africans landed in British North America. The 400th anniversary will not be celebrated. Instead, it will be commemorated lest we forget that our ancestors were brought here in the bowels of slave ships.

For nearly 250 years, our ancestors were sold on the auction block and subjected to unimaginable dehumanization and brutality. Children were separated from their parents and put up for sale.

In her groundbreaking book, The Value of the Enslaved, from Womb to Grave, in the Building of a Nation, Prof. Daina Ramey Berry observed:

The pubescent years were terrifying. Not only were their bodies changing, but this was also a time when enslaved children experienced the separation they had feared all their lives. Daughters and sons were taken from their parents as the external value of their bodies increased. Market scenes from their childhood now made sense and haunted them for the rest of their lives. At this stage in their maturation, they knew full well that others claimed ownership of them and sexual assault came at any age.

Children are at the center of an event organized by Avenging The Ancestors Coalition (ATAC), “400 Years of Slavery and Other Official Racism: Never Forget, Always Avenge.” The event will be held on Sunday, August 25, 2019, 2:30 p.m., at the Slavery Memorial/President’s House, 6th and Market streets, Philadelphia.

ATAC Co-founder Michael Coard recently wrote:

The highlight of the event will be 400 Black children who will identify and condemn each of the 400 years of slavery as well as its residue, which includes the reactionary Redemption Era, Black Codes, sharecropping, convict leasing, peonage labor, mass lynchings, de jure segregation (known as Jim Crow), de facto segregation, stop-and-frisk, police brutality, mass incarceration, disenfranchising voter ID legislation, court-sanctioned gerrymandering, and other forms of official racial injustice up to and including 2019.

Of the 12.5 million Africans stolen from the Motherland, 26 percent, meaning 3.25 million, were children. And 13 percent of those children, meaning 420,000, died during the more than 60-day Middle Passage voyage in the bottom of feces-filled, urine-soaked, vomit-drenched, rat-infested, disease-ridden “slave” ships. By 1860, shortly before the Civil War, about 33 percent of the nearly 4 million enslaved Black population, meaning 1.32 million, were children. Think about that for a minute.

It’s not too late to get your children, grandchildren, nieces, nephews and other young people age 4 to 14 involved. Help them avenge their enslaved ancestors by calling ATAC at (215) 552-8751 or emailing ATAC@AvengingTheAncestors.com and leave a message stating your name, phone number, email address, and the children’s names and ages. The deadline to sign up is August 9.

Fourth of July 2019

On July 5, 1852, before the Ladies Anti-Slavery Society in Rochester, New York, Frederick Douglass asked, “What to the slave is the Fourth of July?”

What indeed?

Today we often communicate via memes, but the message is the same.

Slave Dwellings Project

To commemorate Juneteenth, Google Street View launched the Slave Dwellings Project, a virtual tour of slave quarters built between the late 1700s and mid-1800s in Virginia. From Google blog:

Several years ago, when Google Street View began to include views of interiors, we saw an opportunity to document slave dwellings for Encyclopedia Virginia, where we collect resources about the state’s history and culture. Most of the former housing sites for enslaved people are on private property, and therefore not open to visitors. Our virtual tours give access to places that people can’t visit in person.

The Street View tours also play a role in virtual preservation. Many of the dwellings are in poor condition—even in worse shape than when we started photographing them a few years ago. By creating the virtual tours, we preserve the dwellings for future generations.

For the tours, we consciously chose a range of dwelling types and locations to highlight how ubiquitous slavery was throughout Virginia—from the Eastern Shore to Mecklenburg County. People tend to think that enslaved people only lived on rural plantations. But we have tours of slave dwellings in urban cities like Alexandria and Richmond, which challenge the stereotypes of how enslaved people lived.

Juneteenth 2019

Black Music Month 2019

This year marks the 40th anniversary of Black Music Month, the brainchild of music mogul and Rock and Roll Hall of Fame inductee Kenny Gamble and broadcast executive Ed Wright. Radio personality Dyana Williams, the “Mother of Black Music Month,” breaks down the origin of the celebration.

2019 also marks the 400th anniversary of the arrival of the first enslaved Africans in British North America. Music helped the ancestors survive the dehumanization and barbarity of slavery. This mandolin was crafted by a slave circa 1800s. It is on display at the National Constitution Center.

The ancestors used music to express their grief and sorrow. In 25 Black Gospel Songs that Have their Roots in Slavery, BlackExcellence.com wrote:

This traditional Negro spiritual dates back to the slavery era. Sometimes I Feel Like a Motherless Child expresses despair and pain. Furthermore, it conveys the lack of hope of a child who’s been torn from the parents. The word sometimes is repeated several times, which can be interpreted as a measure of hope, as it suggests that occasionally this child doesn’t feel motherless. This child can represent a slave who, in the trafficking process, has been separated from something dear to his or her heart (such as a spouse, home country, parents, children, siblings, and so on) and is yearning for it.

Music was a form of resistance. Again, from BlackExcellence.com:

Wade in the Water is a Negro spiritual song that teaches slaves to hide and make it through by getting into the water. It’s a perfect map song example with lyrics that offer precious coded directions.

Read More