I love music, any kind of music.
Music sustained the ancestors and was the soul of the Civil Rights Movement. Dr. Martin Luther King Jr. said:
In a sense the freedom songs are the soul of the movement. They are more than just incantations of clever phrases designed to invigorate a campaign; they are as old as the history of the Negro in America. They are adaptations of the songs the slaves sang — the sorrow songs, the shouts for joy, the battle hymns and the anthems of our movement. I have heard people talk of their beat and rhythm, but we in the movement are as inspired by their words. ‘Woke up This Morning with My Mind Stayed on Freedom’ is a sentence that needs no music to make its point. We sing the freedom songs today for the same reason the slaves sang them, because we too are in bondage and the songs add hope to our determination that ‘We shall overcome, black and white together, we shall overcome someday.’
To celebrate the 25th anniversary of Martin Luther King Jr. Day, the National Museum of African American Music curated a playlist of songs that ignited social change.
The songs include Sam Cooke’s “A Change is Gonna Come,” Marvin Gaye’s “Inner City Blues (Make Me Wanna Holler),” John Coltrane’s “Alabama” and Billie Holiday’s “Strange Fruit.” You can listen to “Sounds of Social Justice: MLK 2020” here.
The Civil War ended on April 9, 1865 when Confederate General Robert E. Lee surrendered to Union General Ulysses S. Grant at Appomattox Court House. Still, the fight over the meaning of the South’s Lost Cause continues.
Picture this: Former South Carolina governor Nikki Haley said the Confederate Flag was hunky-dory until Dylan Roof “hijacked” it from the descendants of slave owners and their sympathizers for whom it symbolized “service, and sacrifice and heritage.”
Haley’s spin is fake news. William T. Thompson long ago spilled the tea on the meaning of the Confederate flag.
The symbol of white supremacy was weaponized during the Jim Crow era as African Americans fought for equal protection under the law and civil rights.
A recent issue of the Washington Post Magazine is devoted to photography that documents struggles with racism. Washington Post Columnist Eugene Robinson wrote in the introduction:
Racism is this nation’s telltale heart beating ominously in the collective subconscious. From time to time we come to believe we have expiated and silenced it once and for all. But then it is back — changed, perhaps attenuated, but unmistakable.
This is how the war against racism goes: progress, setback, optimism, despair — a cycle that frustratingly repeats and yet somehow inches us forward. Racism may be worse than in the recent past, but the individual and collective punishment it metes out is a shadow of what black Americans suffered a half-century ago. We have no choice but to believe that the Rev. Martin Luther King Jr. was right when he said that the arc of the moral universe is long but bends toward justice. We have somehow taken a detour, however, and must find our way back to the true path.
This issue is devoted to photography that documents this moment — not just our external struggle with racism, but the internal struggles as well. Some of the images are beautiful and unsettling. Some are jarring. If some make us uncomfortable, that is progress. An easy conversation about racism is not a real conversation at all.
The full issue is available here.