John Coltrane House Philadelphia Listed on 2020 Pennsylvania At Risk

Legendary jazz saxophonist and composer John Coltrane belongs to the world.

John Coltrane - Google Trend - One Year

Philadelphia has a special claim to the worldwide icon because of what happened in a rowhouse in the Strawberry Mansion neighborhood. It was in this house that Coltrane experienced “a spiritual awakening,” kicked his heroin addiction and composed “Giant Steps.”

John Coltrane on Porch - 1511 N. 33rd Street

Coltrane’s Strawberry Mansion home was added to the Philadelphia Register of Historic Places in 1985. While thousands of places are listed on the Philadelphia register, only 67 are National Historic Landmarks, the highest designation for a historic property. The John Coltrane House was designated a National Historic Landmark on January 20, 1999.

What should be a source of civic pride has become a national embarrassment. As early as 2003, the National Park Service noted the John Coltrane House has structural and aesthetic issues. Good intentions notwithstanding, the National Historic Landmark is deteriorating before our eyes. So the choice is stark: Continue to wring our hands or do something. For the love of Coltrane, we chose to do something.

In collaboration with the Preservation Alliance for Greater Philadelphia, Avenging The Ancestors Coalition and Jazz Bridge, All That Philly Jazz Director Faye Anderson prepared the nomination of the John Coltrane House for inclusion on Preservation Pennsylvania’s annual list of endangered properties. On the eve of Black History Month, John Coltrane House Philadelphia was named to 2020 Pennsylvania At Risk.

2020 Preservation At Risk

Preservation Pennsylvania is a private, nonprofit organization “dedicated to the protection of historically and architecturally significant properties.” The John Coltrane House is at risk due to its deteriorating condition and financial capacity of the owner(s):

The future is uncertain for the house. Past efforts to offer maintenance and planning assistance were unsuccessful, although the family member involved in those discussions has since passed away. As a National Historic Landmark, the designation provides the house with no protections from demolition, alterations or neglect. The house is listed on the Philadelphia Register of Historic Places, which does provide protection from demolition and a process for review of proposed alterations. However, at this time, the house is simply in stasis, while the elements, age and time take their toll.

Julia Chain, Associate Director of Preservation Pennsylvania, said:

Preservation Pennsylvania hopes to work with the owners and supporters in the local preservation and jazz communities to find a way forward for this property.

The way forward includes assessing the structural stability of the John Coltrane House. Philadelphia Mayor Jim Kenney has the authority to order the Department of Licenses and Inspections to inspect the property.

Show your love for John Coltrane by contacting Mayor Kenney and sharing your concern that the status quo is unacceptable. Mayor Kenney can be contacted by phone at (215) 686-2181 or email at james.kenney@phila.gov. He can also be contacted on Twitter or Facebook.

John Coltrane House Philadelphia matters.

Public Memory and Place Matter

In a recent essay published by the Brookings Institution, the writers asked: Whose history gets recognized in our public spaces?

Ultimately, the fight over Barry Farm is about more than those last 32 buildings left standing. It signifies a larger struggle over representation in our physical spaces, one that has only intensified as cities become more divided, unaffordable, and unequal. This struggle has manifested itself in a myriad of ways, from efforts to remove racist memorials from public plazas to movements to protect Black culture on rapidly gentrifying blocks. Within all these actions is one critical, underlying message: Black history matters.

In Philadelphia, our story is being erased from public memory. From the demolition of the church where Marian Anderson first learned to sing to the Henry Minton House, one of the last places John Brown laid his head, developers don’t give a fig about black history.

Henry Minton House - Inquirer

Midwood Development & Investment CEO John Usdan plans to demolish the Henry Minton House. In a news article, Usdan said, “Because the city’s so rich in history and has all these great historic buildings and amazing places where you want to congregate, it’s exactly what the demographic moving to Philly wants.”

For this developer, black history is not American history. And black folks are not included in Usdan’s vision for a changing city since he is building for “the demographic moving to Philly.”

First they displace us. Then they erase us.

#DisappearingBlackness - Where's Our Story

The National Museum for African American History and Culture’s exhibition “Power of Place” underscores that place matters:

People make places even as places change people. Places are secured by individual and collective struggle and spirit. Place is about movement and migration and dis-placement. Place is where culture is made, where traditions and histories are kept and lost, and where identities are created, tested, and reshaped over time.

On October 22, PlanPhilly is holding a panel discussion, “Place, Preservation and Public Memory in Philadelphia.” All That Philly Jazz Director Faye Anderson is a panelist, along with Paul Farber, Ori Feibush and Karen Olivier. The event is free but you must register. To reserve your spot, go here.